Judith is a film director who visualizes universal themes in her poetic storytelling. She lays a bridge between a realistic present and a dynamic new world, by using strong choreographic elements and motion as metaphors for growth and change in life.
“Essentially I’m a nostalgic person; I want to create something that lasts forever.”
Reinjan Prakke (1986) is a director who’s always searching for a kind of hyper reality within his films. Brought up by a journalist and a psychologist, his un-relentless question barrage is an honest urge to understand the essence. His work is best described as a cross-over between documentary and fiction.
“I’m always looking for truthfulness, for a kind of hyper reality. A living room must be messy, a touch must be awkward and love can’t be perfect. Then it starts to feel genuine which makes the message, and therefore the brand, more relatable to the viewer.”
Motion Design Director
As a kid the goofy absurd worlds in commercials fascinated me. After a movie or tv-show, when I had to go to bed, I used to ask my parents: ‘Can I finish the commercials?’. Today I like to make what I enjoyed then: animated and post-heavy commercials.
Very technical shoot I did for Bulgarian friends “Film Maker” and director buddy Boris Booij(Czar jr.). We drove a motion controlled camera robot(McRoberts Milo) to Sofia to make this happen, who almost got stuck on the border. On youtube you could switch between the times live.
How to do a one taker that starts at a close up of a bell and ends with a wide shot of 20+ people dancing in a studio build hotel lobby. Also without the moco track not being in the way of the dancers. Oh, and invision this from back home. Luckily they had a 3D model I could use in after effects.
Amazing crew, like a family!