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berend

Berend van Eerde

editing

vfx

berend@chapter.amsterdam
+31(0)651988351
diede

Diede van Vree

creatives

editing

vfx

jesse

Jesse Broertjes

creatives

production

jesse@chapter.amsterdam
+31(0)645081858
judith

Judith Knubben

creatives

directing

Judith is a film director who visualizes universal themes in her poetic storytelling. She lays a bridge between a realistic present and a dynamic new world, by using strong choreographic elements and motion as metaphors for growth and change in life.

“Essentially I’m a nostalgic person; I want to create something that lasts forever.”

kevin

Kevin Kimman

cinematography

creatives

grading

kevin@chapter.amsterdam
+31(0)681243329
reinjan

Reinjan Prakke

creatives

directing

editing

reinjan@chapter.amsterdam
+31(0)643587348

Reinjan Prakke (1986) is a director who’s always searching for a kind of hyper reality within his films. Brought up by a journalist and a psychologist, his un-relentless question barrage is an honest urge to understand the essence. His work is best described as a cross-over between documentary and fiction.

“I’m always looking for truthfulness, for a kind of hyper reality. A living room must be messy, a touch must be awkward and love can’t be perfect. Then it starts to feel genuine which makes the message, and therefore the brand, more relatable to the viewer.”

tom

Tom Schrooten

tom@chapter.amsterdam
+31(0)623571236

Motion Design Director

As a kid the goofy absurd worlds in commercials fascinated me. After a movie or tv-show, when I had to go to bed, I used to ask my parents: ‘Can I finish the commercials?’. Today I like to make what I enjoyed then: animated and post-heavy commercials.

#ChampionTheMatch

This was our craziest project so far. Shoot, Edit & Online on the same day. Did I say crazy already?

In a series of spots, Champions League stars like Clarence Seedorf, Carles Puyol, Rio Ferdinand , Roberto Carlos, David Trezeguet and Alessandro del Piero devise ways to watch the game—and drink a cold Heineken while they’re at it.
For this crazy twittercampaign we edited and composited on set. Due to the players’ availability, each #ChampionTheMatch spot had to be filmed, edited and undergo post-production on the day of the event, and be published within eight hours after director Victor D. Ponten’s first shot. Every edition was held in a different country, including among others Mexico, Brazil, Romania and Greece.
Together with production company NewAms we came up with a workflow for this project. Since the timeframe was so extreme, our mixed skillset of editing, animation and compositing proved a necessity.
We had little sleep on this on, but a lot of fun.

Credits

Client
Heineken
Agency
DDB / Tribal
Production Company
New Ams Film Company
Director
Victor D. Ponten
Visual Effects